With the curtain calls in for Finian’s Rainbow, Francis Ford Coppola was hot to get on the road for his next project, The Rain People. But Howard Kazanjian was faced with a dilemma as to what he would be doing next.
Francis had asked Howard to accompany him on The Rain People as his AD. They were going to be on the road traveling light, catching those places and situations that crossed their path, much as they had when up in the Bay area for Finian. So he only wanted one AD for this film. This restriction placed a stumbling block to Howard’s participation. Howard was a 2d AD at the time, but this arrangement would require him to be a 1st AD. To remedy this problem, Coppola called the DGA to ask for a waiver, or perhaps get Howard “promoted” to 1st AD early, since he was so close to qualifying already. The DGA turned Coppola down on both counts. Coppola turned to Howard and gave him this advice – “Quit the Guild.” Howard had to tell Coppola “No.” He just felt he could not. It would be too difficult (nigh on impossible, not to mention expensive) to try to get back in afterwards.
[Aside – As I mentioned in an earlier post George Lucas did go along with Coppola for The Rain People, not as AD, but as a general factotum, a gopher. He shot a documentary about the making of the film. On the road, somewhere in Colorado, Francis and George took in Kubrick’s “2001 A Space Odyssey.” George told Francis that he wanted to do something in that vein. It was one of the seeds for what later would become “Star Wars.” In tribute to Kubrick, they painted an inscription on one of the vans in their caravan – “HAL 9000” in three inch letters].
Instead, Howard went on to work for Sam Peckinpah and his film The Wild Bunch, (which is covered in other posts on my blog).
Later, in 1971, Coppola wanted Howard to be his AD on The Godfather. Again, the DGA rules intervened. Back then a member of the West Coast DGA (of which Howard was one) could not work within the jurisdiction of the East Coast DGA, where the film was to be shot.