The Year Was 1938 – May 30th

Director Frank Lloyd circa 1940

• Director Frank Lloyd will work the holiday (Decoration Day, i.e.  Memorial Day) in the cutting room at Paramount, going through the footage from his latest film ‘If I Were King,’ just so his star Ronald Colman can get a shave tomorrow. He needs to be certain that no retakes will be necessary before his star lops off the whiskers that have been sprouting the past eight weeks for his portrayal of Francois Villon, the 15^th century French poet. [Frank Lloyd only had this one film for 1938, and would have only one for 1939 – ‘Rulers of the Sea’].
• Frank Factor, the 34 year old son of Max Factor, legally changed his name to Max Factor jr. He, like his father, is a Hollywood makeup artist. He lists his reasons for doing so – for the sake of their business of manufacturing makeup – and for the family connection, a sentimental reason. [His father would pass away in August of 1938. Max jr would supervise the wigs for ‘The Wizard of Oz’].
• Producer Walter Wanger has bought the movie rights to the upcoming biography of James Farley, the former Postmaster General. It will be serialized in American Magazine this fall. [Entitled ‘Behind the Ballots.’ Nothing was done with it as far as I could ascertain. Many credit Farley with the election of FDR to the presidency, and as a reward for his help was appointed the Postmaster General. He also was made the head of the DNC and held the posts concurrently. Later with his position with Coca Cola he was responsible (with government help) for its proliferation around the world].
• Officials at the Columbia Studio speak up to squelch rumors that Lionel Barrymore, then in an important role on ‘You Can’t Take It with You,’ is down with a fatal illness. They admit that the actor had been in for a hospital stay 6 weeks prior for a mild case of arthritis, but nothing since has deterred him from his performance. [More contemporary articles about the actor state that he was in so much pain on this film that hourly shots of painkillers were administered to help him play his character’s role on crutches. Having broken his hip twice and suffering from severe arthritis, from here on out he did not stand in his films].
• In his column Ed Sullivan points out that he has screen credit for his story that Hal Roach picked up to produce – There Goes My Heart, with Fredric March and Virginia Bruce.
• Mervyn LeRoy was reported to be planning a film with the Marx Brothers to be called ‘Three Ring Circus.’ [To be done next after ‘Room Service.’ This eventuated in their film ‘A Day at the Circus’ for MGM].

ITEM OF INTEREST

• Columnist Sidney Skolsky points out the irony that forest scenes for movies are usually shot in Sherwood Forest near Hollywood, but WB’s ‘Robin Hood’ which takes place in Sherwood Forest, was shot at Ridwell Park in Chico, CA

ON THE MOVE

• Darryl F Zanuck arrives in NY from LA. [Word was making the rounds that Zanuck was being insured by his company, 20^th Century Fox for $10,000,000. Agent, producer and insurance broker Artie Stebbins was seeing to the deal. Stebbins was a nephew of Joseph Schenck]. Ed Sullivan adds that he took two cutters on the train with him, and cut (or edited) two pictures along the way.

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The Year Was 1938 – May 20th

Cecilia Parker in 1937

• Just finishing ‘Love Finds Andy Hardy,’ a  long term contract at MGM is awarded to Cecilia Parker for her work in the family series. She began the role of Mickey Rooney older sister in 1937. [She has one more ahead for 1938, then three more Hardy features and one short for 1939].
• A meeting was held at the home of Sam Goldwyn to discuss the deal they will receive for releasing via United Artists for the 1938-39 season (the distributor will sell only on percentage, not flat). Also present were David O Selznick, Dr A H Gianninni, Walter Wanger, Edward Small, Hal Roach.

• Shake up at Universal, with VP in charge of production, Charles R Rogers, on the way out, Cliff Work will take his place under President Nat Blumberg and VP Matthew Fox. [Active since the silent days, Rogers had been head of production at RKO in 1931, switching to Universal in 1935. He had some notable successes with them – ‘My Man Godfrey’ for instance, and for signing the teen singing sensation Deanna Durbin. He would wind up at Paramount in 1939, and produce The Star Maker with Bing Crosby, a fictionalized version of the life of Gus Edwards].
• At WB, ‘For Lovers Only’ begins filming, with Dick Powell in the lead and with Olivia DeHavilland playing opposite him. [The romantic comedy is released under the title – ‘Hard to Get’].

• Margaret Sullivan is discussed as the lead for Hal Roach’s new romantic comedy ‘There Goes My Heart.’ The part had been turned down by Irene Dunne. [Sullivan must have turned it down too, as Virginia Bruce is credited in the part].
• Ed Sullivan points out that Gene Reynolds is playing a lot of roles when the lead character needs to be shown as a child – for James Stewart in ‘Of Human Hearts’; for Tyrone Power in ‘In Old Chicago’; for Ricardo Cortez in ‘The Californian’; and for John Beal in ‘Madame X.’ [Gene Reynolds has four films for 1939. He had a long career in entertainment, and later was a TV producer for MASH and Lou Grant].
• Jackie Coogan is in San Francisco working on a personal stage appearance, making jokes about his impoverished situation. And hoping to earn enough until August when the suit with his parents will be tried. Bob Hope has written his routine, between takes on his current film ‘Give Me a Sailor.’ Hope and Coogan will have a vaudeville tour together in the East beginning in June. (See May 13^th)

ON THE MOVE

• Pat O’Brien will be taking off for a three week vacation, and will start ‘Angels with Dirty Faces’ upon his return. [Per Ed Sullivan he plans to take in the War Admiral – Seabiscuit match race. The race scheduled for May at Belmont did not come off with Seabiscuit. The race finally took place on November 1^st].
• Joel McCrea heads off to Montana for a fishing trip, accompanied by his stand in, Carl Andre. His station wagon is fully equipped for the expedition. Upon their return they will report to Universal along with other Goldwyn contracted people – Andrea Leeds and director Archie Mayo. Some think it strange that so many from the Goldwyn stable would be going to a rival studio. Shooting to begin June 4.
• The 20^th Century Fox film ‘Five of a Kind’ with the Dionne quintuplets will see its company leave for Canada tonight, but without Joan Davis. She is now home from the hospital after her back injury, sustained will rehearsing with Buddy Ebsen. She plans to join them next week. [Davis must not have made it, for she is not listed in the credits]. (See May 9^th).

OPENED IN THEATERS THAT DAY

• Swiss Miss with Laurel & Hardy (directed by John Blystone) from MGM.
• Mystery House with Humphrey Bogart from WB.

The Year Was 1938 – May 19th

Virginia Weidler in 1938

• Today child actor Virginia Weidler was added to the RKO production ‘Mother Carey’s Chickens.’ She was borrowed from MGM where she was at work in ‘Too Hot to Handle.’ She is also currently loaned out to Paramount on ‘Men with Wings.’
• United Artists board to meet today to finalize the releasing deal with Hal Roach. Roach can bring his own production money. Dr A H Gianninni, president of UA prepared the way for him. Mary Pickford to attend the meeting also.
• Independent exihibitors at a confab in Pittsburgh have asked the government to do an investigation into the picture industry, especially pricing policies and terms of film leasing, all to be included in any anti-trust action that is pending in Washington.
• Silent film actress Alla Nazimova has been brought into Paramount to help tutor the Italian actress Isa Miranda. Producer Albert Lewis and director George Cukor brought Nazimova in to help Miranda recreate a role that Nazimova played on the Russian stage 37 years prior. [The film was released in 1938 – but not with Isa Miranda. Claudette Colbert took the role instead. I wonder what happened].

Columnist Sidney Skolsky often wrote about “Watching Them Make Pictures” for this week he details three happenings:

• On the MGM backlot, Jack Conway was directing Clark Gable and Walter Pidgeon in a scene for ‘Too Hot to Handle.’ Playing competing newsreelmen Pidgeon was to chase Gable and Gable was to trip and fall face first into a mud puddle especially prepared for him. He fell into the mud perfectly – but Pidgeon blew his line, so they had to do it all over again.
• Out on the movie ranch in the Valley, Richard Thorpe was shooting a scene for “Give and Take” with Robert Taylor and Maureen O’Sullivan. A man was plowing in the far background and was whistling. The sound man warned the director that his mic was picking up this whistling. Thorpe said to just keep it as background – but then the sound man broke in again and told him that they would not be able to use it as the man was whistling “Thanks for the Memory,” a Paramount song. [The film was released as ‘The Crowd Roars’].
• He checked in at Paramount and entered a sound stage where “The Spawn of the North” was being shot. Business was on hold for the moment, for they were celebrating Henry Fonda’s birthday (May 16^th). Fonda was serving out the cake when two Western Union messengers arrived and sang Happy Birthday to Fonda. They had been sent by his former roommates John Swope and James Stewart. Before he knew it Fonda had handed out all the pieces, not having reserved one for himself. One of the visitors surrendered his piece to Hank. Soon, director Henry Hathaway had Fonda, Dorothy Lamour, Louise Platt and George Raft back to work.

ITEMS OF INTEREST

• Ed Sullivan in his column extolls a list of names you were never meant to see in the credits. Claire Meyers – Sally Sage – Marjorie Lane – Eadie Adams – Virginia Verrill. The legs of Meyers, or more properly Myers, stood in for closeups of those of Joan Crawford, Virgina Bruce and other ladies in the MGM stable. Sage’s hands stood in for those of Bette Davis in ‘Jezebel.’ [She had uncredited parts in six WB films for 1939]. The last three lent their voices for songs that came from the lips of, respectively, Eleanor Powell for ‘Broadway Melody of 1936,’  ‘Born to Dance,’ ‘Rosalie,’ as well as ‘Broadway Melody of 1938’; for Jean Harlow in ’Suzy’ and ‘Reckless’; and for Andrea Leeds in ‘The Goldwyn Follies.’