- 20th Century Fox calls off their 2 million dollar building plan for two reasons: 1) the unsettled state of the foreign markets, and 2) the current tax situation at home. This effects plans for five new sound stages.
- Republic Pictures plans to start building their own studio on a 48 acre lot next to the old Mack Sennett lot which they are currently leasing.
- RKO, in trouble financially since 1933, is looking to reorganize and emerge from their 77B bankruptcy by end of summer.
- Paramount has over 2000 people currently employed at the studio – a high for the past 12 months. The number of the people in the back lot and in technical positions has increased 50%.
- Major and minor companies are turning away from screwball comedies in favor of outdoor, big action historical and/or biographical films.
- Joan Fontaine has been selected for a part in director George Stevens’ big action film “Gunga Din.” Her costars will be Cary Grant and Jack Oakie. Victor McLaglen will also be aboard, the Oscar winner is on loan from Fox. [Stevens had his latest film open on this date – ‘Vivacious Lady’ starring James Stewart and Ginger Rogers – a screwball comedy – so it seems the director is trying to get ahead of the curve for 1939].
- Ginger Rogers is guaranteed a month long vacation between pictures as part of her new RKO contract. [Could screwball comedy be more tiring than dancing with Fred Astaire]?
- Stan Laurel is marrying a Russian singer, Ileanna, (Vera Ivanova Shuvalova) for the fourth time since Jan 1. [This may be popping up over and over for they were battling constantly all the way through 1939].
- Joan Crawford re-upped with MGM, signing a five year contract for 1.5 million dollars. She came to Hollywood in 1925, at the height of the flapper era, and could dance the Charleston. [In her interview with Ed Sullivan at this time Crawford states that her first picture was a western with Tim McCoy, entitled ‘Winners of the Wilderness,’ instead of ‘Pretty Ladies’ from 1925. I’m not sure if her memory was playing her tricks, for ‘Pretty Ladies’ was her first credited role, and the McCoy film was in 1927. Perhaps she remembers the western fondly because it was a co-starring role (with no other ladies sharing the spotlight). Or maybe, being from Texas, she liked playing a cowgirl].
- To make westerns more realistic the William Hays office is proposing meeting with author Will James (author of Western fiction Smokey) and Harry Carey to work on a possible code.
- Gene Autry goes back to work at Republic after holding out since December on salary and other contentions (radio and in person appearances – acting for other producers and for his own company). [Things look good for Westerns, if the film execs are sensing the right direction].
Tag Archives: Victor McLaglen
Gunga Din The Making of a Classic Pt 1 #1939TheMiracleYear
Gunga Din was given the greenlight and George Stevens launched out on the waters of production despite being not exactly satisfied with the script. But he was not overly concerned. He had his two scripters along to sand down the rough spots and paper over the cracks.
Stevens was used to flying by the seat of his pants. He had cut his teeth at the Hal Roach studio as a cameraman. First with the action filled adventures of Rex the Wonder Horse, and then later adding gag man to his lenser chores on Laurel and Hardy shorts. These experiences had helped him on his features thus far and would bring solid gold to his production of Gunga Din.
So the following will be part chronology and part discussion of how problems arose and how they were solved.
Casting had been a long process, stretching back to when Howard Hawks was in charge.
Before a script was in place RKO looked to finagle a deal to trade with MGM for the services of Clark Gable, Spencer Tracy and Robert Montgomery. That was 1936, two years later after many more names (and combinations) were considered along the way they landed their dream cast of Cary Grant, Douglas Fairbanks Jr., and Victor McLaglen – the term of their contracts – to run from 6/1/1938 to 9/3/1938.
The million dollar production did not kick off until the last week of June with work on interiors at the studio (stage 14 the punch bowl scene). Work was ongoing constructing the outdoor sets up in Lone Pine CA (in the shadow of Mt Whitney, the surrounding Sierras dubbing in for the Khyber Pass) and on the RKO ranch in Encino.
All was ready when the caravan of technicians set out on the morning of July 13, with the coterie of performers following three and a half hours later.
They had no sooner settled in to the tent city prepared for them when a fire broke out on the outdoor set of the village (called Tantrapur in the film). Despite everyone’s efforts five buildings and many props were destroyed (Lloyd’s of London was on the hook for $5000, or $91,000 in 2019 dollars).
Fortunately the village set was not the only one they had built, two more were available- the Kali-Thuggee temple and the British army canton.
Stevens met this first obstacle the very next day by setting to work on the canton set. With his writers in tow he put together a scene with the army parade ground as the backdrop. It was a great example of making lemonade from a bad situation. While the extras were put through the paces of learning their drill, Sam Jaffe (Din) and Cary Grant enacted a scene that gives the viewer crucial information about these characters. They were getting excellent value for the money spent.
And nothing makes a studio happier than when they can see the money they are spending reflected back to them on the screen.