The Year Was 1938 – May 30th

Director Frank Lloyd circa 1940

• Director Frank Lloyd will work the holiday (Decoration Day, i.e.  Memorial Day) in the cutting room at Paramount, going through the footage from his latest film ‘If I Were King,’ just so his star Ronald Colman can get a shave tomorrow. He needs to be certain that no retakes will be necessary before his star lops off the whiskers that have been sprouting the past eight weeks for his portrayal of Francois Villon, the 15^th century French poet. [Frank Lloyd only had this one film for 1938, and would have only one for 1939 – ‘Rulers of the Sea’].
• Frank Factor, the 34 year old son of Max Factor, legally changed his name to Max Factor jr. He, like his father, is a Hollywood makeup artist. He lists his reasons for doing so – for the sake of their business of manufacturing makeup – and for the family connection, a sentimental reason. [His father would pass away in August of 1938. Max jr would supervise the wigs for ‘The Wizard of Oz’].
• Producer Walter Wanger has bought the movie rights to the upcoming biography of James Farley, the former Postmaster General. It will be serialized in American Magazine this fall. [Entitled ‘Behind the Ballots.’ Nothing was done with it as far as I could ascertain. Many credit Farley with the election of FDR to the presidency, and as a reward for his help was appointed the Postmaster General. He also was made the head of the DNC and held the posts concurrently. Later with his position with Coca Cola he was responsible (with government help) for its proliferation around the world].
• Officials at the Columbia Studio speak up to squelch rumors that Lionel Barrymore, then in an important role on ‘You Can’t Take It with You,’ is down with a fatal illness. They admit that the actor had been in for a hospital stay 6 weeks prior for a mild case of arthritis, but nothing since has deterred him from his performance. [More contemporary articles about the actor state that he was in so much pain on this film that hourly shots of painkillers were administered to help him play his character’s role on crutches. Having broken his hip twice and suffering from severe arthritis, from here on out he did not stand in his films].
• In his column Ed Sullivan points out that he has screen credit for his story that Hal Roach picked up to produce – There Goes My Heart, with Fredric March and Virginia Bruce.
• Mervyn LeRoy was reported to be planning a film with the Marx Brothers to be called ‘Three Ring Circus.’ [To be done next after ‘Room Service.’ This eventuated in their film ‘A Day at the Circus’ for MGM].

ITEM OF INTEREST

• Columnist Sidney Skolsky points out the irony that forest scenes for movies are usually shot in Sherwood Forest near Hollywood, but WB’s ‘Robin Hood’ which takes place in Sherwood Forest, was shot at Ridwell Park in Chico, CA

ON THE MOVE

• Darryl F Zanuck arrives in NY from LA. [Word was making the rounds that Zanuck was being insured by his company, 20^th Century Fox for $10,000,000. Agent, producer and insurance broker Artie Stebbins was seeing to the deal. Stebbins was a nephew of Joseph Schenck]. Ed Sullivan adds that he took two cutters on the train with him, and cut (or edited) two pictures along the way.

Advertisement

The Year Was 1938 – May 23rd

Roy Disney in 1938

• Roy Disney returned to NY from a 2 month trip to Europe where he set distribution for ‘Snow White.’ While in England he acquired the Tenniel illustrations on Cinderella which Walt will use for his next animated film. [It would take awhile for Walt to get around to this feature].
• Former US Secret Service head William H Moran to begin work today with writer Albert De Mond on a series to be based on his stories. [De Mond may have been reassigned for he does not show in the credits for the three Secret Service films in 1939]. (See May 16^th).
• Warner Brothers announces a sequel to the highly successful ‘The Adventures of Robin Hood.’ And they are targeting next spring for its release. They even have a script, an original by Norman Reilly Raine and Seton I Miller, entitled ‘Sir Robin of Locksley.’ Flynn and DeHavilland are tapped to repeat their roles. [Another idea that did not see the light of an arc light, despite this being a natural, and sure bet. Raine and Miller were behind the original. Raine kept busy in 1939 with four titles, including ‘The Private Lives of Elizabeth and Essex.’ Miller met disappointment when a script he’d completed was given to someone else to do over. He left WB].
• The casting of Jane Clayton (Jan) in the latest Hopalong Cassidy film (‘The Return of the Fox’) at Paramount has been announced. The Miss Southwest from Tularosa, New Mexico already knows how to ride. Her father owns a 100,000 acre ranch there. She and Hoppy’s sidekick Lucky, Russell Hayden, plan to marry soon. [Come time to release the film, its title changed to ‘In Old Mexico.’ You might recognize her as Tommy Rettig’s mother from the early episodes of the TV series Lassie].
• Per Ed Sullivan, Katharine Hepburn is headed for New York, and opines that it is probably on Howard Hughes’ plane. (See May 11^th and May 18^th).
• Director Mervyn LeRoy in talking about his future film ‘The Wizard of Oz’ promises to have “cartoon tricks” in it, like trees talking to one another. [One of the biggies for 1939].

STARTING PRODUCTION

• ‘Paris Honeymoon,’ starts shooting at Paramount – director Frank Tuttle, starring Bing Crosby, Franciska Gaal, Shirley Ross and Akim Tamiroff.
• Arthur Lubin starts production at Universal today on ‘State Prison,’ starring Barton MacLane and Glenda Farrell.  [The title was changed upon release to the more actionable ‘Prison Break.’] This same day MacLane and Farrell struck a deal with WB to reclaim the roles they played prior in the Torchy Blane series. [Paul Kelly and Lola Lane took the roles in the fifth installment, but were not well received by the fans, hence the return of the original pair to the cop and reporter duo].

The Year Was 1938 – May 11th

Kate Hepburn

• Katherine Hepburn refuses to play in ’Mother Carey’s Chickens’ at RKO. She entered into negotiations to cancel out of her contract (she’d been with them since 1932); they dropped the balance of her commitment to them (six months) and the two films she owed them. The cost to her was the $200,000 in salary she would have gotten for those films (plus an additional $75,000 that she personally coughed up). [Fay Bainter, Anne Shirley and Ruby Keeler anchor the film instead – a family comedy based on a novel by Kate Douglas Wiggin, the writer of Rebecca of Sunnybrook Farm].
• Columbia began a billboard campaign all around Los Angeles – “Is it true what they say about Katherine Hepburn?” This was in reference to the complaint theater owners were making to the film producers – that Hepburn was Box Office poison. And was a backhanded way to produce curiosity in their new release of “Holiday” with Hepburn and Cary Grant. [Holiday was not a financial success, and Hepburn retreated to New York and the stage where she landed a success with The Philadelphia Story, and later brought it to Hollywood].
• Darryl Zanuck came up with an original idea (perhaps in response to the above). For his forthcoming production of The Rains Came (based on the novel by Louis Bromfield). Aside from his main choice for the lead (Ronald Colman), he offered the opportunity for the exhibitors to send in their choices of actors to play the other characters from the best-selling novel. [By the time it went into production Colman was out and George Brent was in for this 1939 film].
• United Artists has 24 features planned for the 1938-39 season. Hal Roach, currently producing for MGM, is looking to join the UA studio and contribute nine films in the next three years. [Actually his poor choice of partnering in a business with Mussolini in Italy, and Mussolini’s subsequent decision to join in with Hitler and his ant-semitism, led to the decision of those at the top in MGM to cancel Roach’s contract. Roach was just switching from short films, such as The Our Gang series (which he sold to MGM) to feature films and hit a gold mine with Topper (1937). Roach had some big films coming in 1939 – Captain Fury, A Chump at Oxford, and the prestigious ‘Of Mice and Men’].

ITEMS THAT PIQUED MY INTEREST

• Story out of Hartford CT – where Snow White had opened – patrons complained afterwards to be victims of pickpockets. The investigating detectives reported that grifters were now following hit shows from town to town, like they used to follow the carnival. 
• Laurence Olivier now being talked about for the part of Lawrence of Arabia, replacing Robert Donat who was originally to be the lead. [See May 6^th]
• Plagiarism damages for “Letty Lynton” may cost MGM one million dollars.  [This was a film made by MGM in 1932, starring Joan Crawford and Robert Montgomery. It was pulled from release in 1936, when they lost a suit brought by the authors of the play Dishonored Lady, who claimed that MGM had used it without their permission. Except for ‘bootleg’ copies the film is still not available].

ON THE MOVE

• Claudette Colbert sailing on the Normandie from London to New York. [Zaza, Midnight, Drums Along the Mohawk in her future for 1939].
• David Niven and Brian Aherne sailing on the Queen Mary from New York to London.
• Donald Crisp yacht vacationing.
• Walter Pidgeon on a motor trip to New Brunswick.
• Dalton Trumbo writing weekends on his new ranch at Lebec. [Six films will be made from his scripts in 1939].
• Cecil B DeMille back at Paramount after an operation. [And at work on his film for 1939 – Union Pacific].
• Clark Gable, John Boles and Lanny Ross on a 110-mile horseback ride. [A big year ahead for Gable; not so for Boles; and Ross’s voice was used for the lead in the Fleischer animated film ‘Gulliver’s Travels’ for 1939].
• Olivia DeHavilland vacationing in Europe. [She would return bouyed with the news of a major success in WB’s The Adventures of Robin Hood. And  she would be in good position to go after a major role in Selznick’s production of ‘Gone with the Wind’ – not the Scarlett part that every actress in Hollywood was vying for, but the Melanie Hamilton part].

Swashbuckler

The long drawn out rasp of metal on metal accompanied the image of the sword being drawn from its scabbard. So began Richard Lester’s The Three Musketeers. Throughout the title sequence a series of stop action multiple images of two figures locked in combat beautifully set the tone for the next hour and an half.

I was standing on the stairs of one of the exits, checking something behind the screen, when a customer who had recently entered came bounding up these stairs to bump the exit door open and let his pals in. I stepped forward and told the “doorman” that he could join his friends outside. Too bad, they missed out on what was going to happen next.

My friend Dave liked the film too. And it may have been the reason behind our seeking out a fencing club to join. We found one that met in the community center in the Green Lake area north of Seattle.

As for all beginners, there was no jumping into things the first day. Nor the second. Nor any time soon. Basics had to be learned first. How to stand. How to move. Forward and back. The stance at first was awkward, and self-conscious, but as you began to move, it became the most natural thing in the world. Your favored foot was pointed forward and your other heel in line with the front one and pointed at the perpendicular. And you sat into a crouch, with both knees bent, and with your weight balanced over the rear or anchor leg. The lower half of your body was changed into a giant spring, so it was explained. And you felt it, especially in rapid movement.

Then practice, practice, practice. Lunge and recover, lunge and recover. And then we were taught how to hold the foil. (Dave preferred the pistol grip; I preferred the regular). Lectures followed on the geometry of fencing. Everything comes down to two points: the point of your foil and that of your opponent, your line of attack or parrying of his.

I kept waiting for a reference to The Three Musketeers, but was surprised when the instructor mentioned a sequence from another film instead. He was demonstrating the balestra – a movement used to close distance quickly between yourself and an opponent. It is a fast hop, followed by a lunge at the other fencer. This was a movement that Basil Rathbone employed against Errol Flynn in the Adventures of Robin Hood. I remembered seeing it, but it was all so fast – a blur really – that it took this extra knowledge of what the move was to understand what had taken place.

[Actually at the time I was more fixed on another realization. When I saw Robin Hood – at the Harvard Exit, of course – it was double billed with another Flynn flick, The Adventures of Don Juan. Watching them back to back you notice things. In Robin Hood, I saw a scene in which a drawbridge drops down and a number of riders charge out in pursuit. The exact same footage was repeated in Don Juan. It was my introduction to library footage. Say the director or the editor needs to fill a gap in his story, rather than setting up everything for another shoot, you just see what you can use from what the studio has in its “library.” In this instance the makers of Don Juan (1948) went back and borrowed this footage from the older film (1938).]

The Three Musketeers had a long run at the UA Cinemas, from the end of March 1974 through to September. And I was able to check in often and observe the swordplay. About the time it left, I was also leaving the UA (that story later) and moving on to the 5^th Avenue Theater in Seattle. And you bet I was back when the sequel – The Four Musketeers – opened the next year. And I kept on fencing, even when we moved down to the Portland OR area. But that’s another story for another day – so stay tuned and Watch This Space.