What Tech Had to Do with It #1939TheMiracleYear

1939 The Miracle Year The Set Up What Tech Had to Do with It

By 1939 the technology behind filmmaking had attained a comfortable maturity. It was a decade after the innovation of sound so that element of the process had been integrated into the studio factory system  (Inroads also were being made for the standardization of sound systems in the field for better quality – for the equipment in theaters tended to be a hodgepodge mix).

Sound was now a reliable instrument in the tool-belt of the artistic minds charged with creating the projects. In fact coming to grips with the disciplines that good sound recording called for, led to other time and money saving innovations. For instance advances in process backgrounds like rear-projection and matte shots (originally developed to get around noisy environments), were now saving money.

Add to this the special effects and miniature departments (the film King King, for instance) which opened the imagination to become filmed ‘reality.’ If someone could think it, they could figure a way to capture it on film.

Improvements also came to the very basics – the film stock – faster and finer grain panchromatic films made for crisper black and white pictures – first introduced by Agfa-Ansco – and then right behind them, Eastman Kodak. One could almost “see” color in black and white for the range of gradations was expanded. As for color film, though fifteen different companies claimed to have their own version in the works, only Technicolor was then in use. And it was glorious and gorgeous.

Advances in cameras did their part. The Mitchell swaddled in its hood (aka ‘the blimp’) kept the noise of the camera machinery from intruding upon the soundtrack. And Walt Disney’s multi-plane camera would lead to more and better advances in the field of animation.

It was indeed a good time to have a studio in Hollywood.

Day One Thousand Forty Nine #DiaryoftheEndoftheWorld

The silence in the wilderness was highly unusual. Not even a breeze disturbed the air around us. And one had the sense that if there were any noise out there, at however great a distance, we would have plenty of time to prepare before we made visual contact.

Thus we heard the footsteps. But we weren’t prepared for what came.

By the sound we knew it could only be a single individual, making his way across the bedrock of the ground to our front.

We halted and waited, confident we would be hidden from view until whatever it was, was past us.

So, we did not see that it was Raj P until then. I bounded out to greet him.

Day Five Hundred Ninety Two #DiaryoftheEndoftheWorld

Though by the ship’s clock, it was past midday when we arrived at the gateway to the East, the lights of the city were still lit against the cloying darkness.

The water was motionless and all sound muffled as we maneuvered up to our berth.

Workers appeared from nowhere to secure our lines and hurried back out of sight.

It was an odd welcome. Like they were fearful to approach.

This notion was indeed confirmed by the timid port official who finally dared to come aboard. Rumors were rife that we somehow were responsible for the unending night.

The two guards debarked with P as soon as they could. In one last audience we laid hands on him and prayed.

Day Five Hundred Four #DiaryoftheEndoftheWorld

Mixed blessings today. We are rejoicing over our new friend. We caught up finally with the lone Hamashiachite. We call him Jordan because neither Elijah nor myself can pronounce his name. But he does like the sound of it, and he thinks it appropriate – for he feels it matches his new beginning.

He became a follower of Hamashiach in the days after the Glorious Appearing. He’s had no one to instruct him, so he is ecstatic to have discovered us. I assured him that he has not been alone- that the Spirit has obviously been at work in him.

On the downside for today – our encounter earlier called our presence to the attention of the authorities.

We are laying low.