Howard Kazanjian was all set for the first day of shooting on “Finian’s Rainbow.”
His director Francis Ford Coppola had fixed on an idea for the opening title sequence. He wanted to shoot his two main stars on the Golden Gate bridge. At that time no one shot anything on the Golden Gate Bridge, for the simple reason that you could not even get a permit to do so.
Not to be deterred, Francis set out to do it anyway. He and Howard took a rented station wagon, picked up Fred Astaire and Petula Clark, then headed for the bridge. Francis dropped Howard and the two stars off at the San Francisco end of the bridge. From there the threesome pretended to be pedestrians out for a stroll, sightseeing. (Of course, Howard kept out of range of the camera). With the tailgate on the station wagon down and the camera set there to shoot, Francis had the key gaffer drive the vehicle past them and then slow down to a crawl, while he and his cameraman caught his stars as they walked the pavement. By the time they got to the end of the bridge the police had arrived to investigate what was going on. They pulled them over into the scenic turn out on the Marin side.
The production manager from WB for Finian was waiting for them in this parking lot when they pulled in. And he just so happened to know the officer that was threatening to arrest them. Another fine mess they avoided. [Aside – you won’t see a hint of this bit in any of the DVDs. Howard remembers that in the roadshow release a section was used, including a distant glimpse of the flashing red light of the cop car when it came after them.]
A couple of days later they mounted a larger expedition. Again they held on to the station wagon, but added a truck, and a car. They used the car to transport Fred and Petula. With Francis driving, Fred sat in back on the right and Petula on the left, with Howard on the hump in the middle. Their route was all planned out as they headed south out of San Francisco. However, Francis was soon off the route when he spotted some sheep off on a hill. They soon lost the other vehicles in pursuit of their bucolic shot. Once they were up by the sheep, Francis had Howard get out and herd the fleecy critters past their one camera.
By the time they loaded up the station wagon, Howard knew he had to do something to head off the possibility of a meal penalty. It was already late afternoon, so he put the question to them. He stated did you want to have your meal here, gesturing to the passing scenery with no eatery in site, or wait for the hotel where they had scheduled to stop before their day began. Fred spoke up and said, “No, let’s wait for the hotel.” And Petula nodded her agreement. So Howard had it on the record that they had declined his offer. The stars had graciously played along with the AD to save the production from the cost of the meal penalty.
[Aside – this sheep footage also did not make the DVD cut.]