The Year Was 1938 – May 24th

Alice Faye with Buster Keaton in 20th Century Fox’s Hollywood Cavalcade from 1939.

• Buster Keaton was brought in to work with Melvyn Douglas and Florence Rice on their MGM film ‘Fast Company.’ He instructs them “how to take painless comedy falls.” [The silent comedian was an expert. Though I would be concerned because he once broke his neck on a stunt in one of his films and did not know it until years later].
• French actors (like Danielle Darrieux and Annabella) are demanding dialog coaches on their films so that their accents won’t make them unintelligible to US audiences.  Charles Boyer has done so.
• Midgets in Hollywood have formed their own guild the Tiny Town club. [Just in time for The Wizard of Oz].
• More than 5000 extras were employed at Paramount last week due to a heavy run of mob scenes. ‘If I Were King’ led the list with 1600.
• Fanny Brice takes the top comedienne spot in the upcoming film from MGM, ‘Honolulu.’ Eleanor Powell and Allan Jones are the stars. [The film was released in 1939, but without Fanny Brice or Allan Jones aboard. I believe the columnist (or whomever they were talking with at the studio) confused this production with ‘Everybody Sing’ since “Funny Girl” Brice and Jones starred in this film with Judy Garland, released in 1938].
• Rumors are circulating that Walt Disney is looking for a new mouse house [er, studio] for his cartoon characters. Studio officials state that the idea is too nebulous to even be considered as a plan.
• Mark Sandrich ends a 9 year director hitch at RKO in August, currently directing his 6^th Astaire-Rogers musical. He intends to freelance next. [The film is ‘Carefree,’ see next item].
• Franklin Pangborn was signed today by RKO for a role in the currently shooting Astaire-Rogers film. [The fussy Pangborn had a total of thirteen films for 1938, but only two for 1939. Perhaps there was little call for Maitre’Ds and put-upon hotel managers that year].
• Bob Burns, film and radio comic salary increases. In 1934 $1500; in 1935 $9000; in 1936 $100,000; in 1937 $400,000. [And he had invented his own musical instrument that he used in his vaudeville act and on the radio – he called it the Bazooka. The anti-tank weapon in World War Two was named after it, due to their resemblance. He had three film credits in 1938; followed by two in 1939].
• An assistant director at Selznick-International Eric Stacey solves a problem of what to do with an old car – (a British model) – rent it to a film studio – he got more in rental for it last week than he paid for it 10 years ago. [Stacey was busy in 1939, filling in as assistant director on ‘Made for Each Other’ and ‘Gone with the Wind’].

ON THE MOVE

• Left LA for NY – Billy Halop, Larry Fine, Moe Howard, Curley Howard, Dashiell Hammett, Al Jolson, Pat O’Brien, Joe Louis.
• Left NY for LA – Roy Disney, Leland Hayward, Henry Travers.

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The Year Was 1938 – May 17th

Samuel Briskin

• Sam Briskin, producer, left RKO last November, being recalled to Columbia to an exec prod post. Had been there between 1926-1934. [Briskin was the real talent behind the successes at Columbia in that earlier period. Cohn lost him over a dispute about the stock options in the company. Briskin could have gone anywhere in 1935 – Fox – MGM – Universal – and wound up at RKO. Cohn got him back at Columbia with a seven year contract and stock options. He was immediately involved in the dispute between the directors and the producers].
• As part of their economy, Paramount announces they are trimming film budgets and film schedules (cutting 8 weeks to 6). No bidding against rival studios for novels or plays. Tightening in all departments. 
• RKO now has a writing staff with 38 writers working on 22 scripts.
• Tailors and seamstresses are busier than they have been for several years, because of a flock of historical films upcoming – for Paramount – 6 (includes ‘Zaza’ for 1939); for WB – 6 (includes ‘Juarez’ and ‘Dodge City’ for 1939); 20^th Century Fox – 1; Metro – 1 (‘Northwest Passage’ for 1939). [20^th Century Fox actually had many more – ‘Jesse James,’ ‘Young Mr. Lincoln,’ ‘Drums Along the Mohawk’; and the MGM title did not make it into release until 1940. MGM did have ‘Gone with the Wind,’ but not at this point in 1938].
• Jerry Wald, writer at WB, is going to court to untangle the problem of three agencies claiming to represent him. They are – Zeppo Marx Inc, Myron Selznick & Co and Leland Hayward, Inc. [Wald had four screenplays made into films for 1939, including the gangster film ‘The Roaring Twenties’].
• Deal in the making between David O Selznick and W C Fields. Selznick tried to borrow him from Paramount before, but was unsuccessful. Now that Fields left Paramount, it is possible that Fields will be in their film ‘Heartbreak Town,’ about the trials of Hollywood moppets. [Sounds like they were trying to capitalize on the Jackie Coogan situation. W C Fields ended up at Universal instead]. (See May 9^th)
• Cecil B DeMille settles with the IRS on a tax bill going back to his 1934 earnings.
• Robert Pirosh and George Seaton called in to collaborate with Irving Brecher on the script for MGM’s ‘A Day at the Circus,’ the next Marx Bros movie. Brecher started it last week. [Pirosh and Seaton had worked together on Marx Bros films before, and ended with no credit on this one, their only film for 1939 was ‘The Wizard of Oz,’ and even that was uncredited; Brecher did get the credit for ‘A Day at the Circus,’ but he also was uncredited for Oz].
• Gene Autry to draw $10,000 per picture in his new pact. It had been $5000. When he was out due to  his feud with Republic, his side kick Smiley Burnett was assigned to work as Roy Rogers’s sidekick. (Roy was filling in for the missing Autry). [Now what to do about Burnett].
• Buck Jones sues Republic to restrain the release of their serial ‘The Lone Ranger’ – for imitating those films in which he played a Texas Ranger. On top of that the name of horse was Silver also. [His only film for 1939 had him as a boxer, not a cowboy – ‘Unmarried,’ a remake of a 1932 film – both Paramount].

ON THE MOVE

• Wesley Ruggles dueling with Paramount on a new contract (to produce and direct) before departing on a European vacation. [He got the contract and did ‘Invitation to Happiness’ for Paramount in 1939].