The Year Was 1938 – May 31st

Bette Davis in 1938
  • Lots of news for Bette Davis. She is to begin work on ‘The Sisters’ this week. This is to be followed by ‘The Phantom Crown’ which will begin production as ‘Juarez.’ And another project calls her back to the old South – a post Civil War story called ‘Memphis Belle.’ [The Sisters which pairs her with Errol Flynn closes out 1938 for her. ‘Juarez’ did go ahead, but another project came on line before it – ‘Dark Victory’ (one of the biggies for 1939). The ‘Memphis Belle’ title remained on the shelf].
  • Sidney Franklin (director) due in tomorrow at Metro to conference about his next film – ‘Goodbye Mr Chips’ – to be filmed in England with Robert Donat. 
  • Laurel and Hardy start shooting today their final Roach production for Metro. [This is the ‘Meet the Missus’ project that was released as ‘Blockheads’]. (Mentioned in prior posts – see May 28th)
  • RKO is so happy with the dailies on ‘The Affairs of Annabel’ that they are considering adding more titles and making it into a series. [There was a quick turn around on this idea for ‘Annabel Takes a Tour’ came out in the same year. Jack Oakie went directly between the two; Lucille Ball squeezed in her part in ‘Room Service’ between them].
  • Walt Disney is looking to expand to a bigger plant – his Hyperion Ave site – covering 70,000 sq ft and employing 735 workers has become too cramped, hence plans are going forward for a million dollar facility. As for this next projects, slated next is Pinocchio, then Bambi.
  • 20th Century Fox is prepping ‘The Little Princess,’ the beloved story by Frances Hodgson Burnett as a film for Shirley Temple. To start 9/1. [It would be released in 1939].

CONTRACT TIME

  • Metro signed Gabriel Dell and Huntz Hall to term pacts. [Two of the Dead End kids gang. Dell has one short and four features for 1939].
  • 20th Century Fox lifted the option on Pauline Moore. [Charlie Chan, Abe Lincoln and the Musketeers keep her busy for 1939].
  • Republic renewed director James Cruze’s contract for one year. [Former silent actor and director Cruze had one film on the screen at this moment – ‘Gangs of New York.’ He has only one more credit for the year, none in 1939. Alcoholism over-shadowed his career and life until his death in 1942].
  • Fay Bainter had her contract at WB extended for two more pictures.
  • Frank Wead inks writer contract at 20th Century Fox. [The former navy pilot had written the story upon which MGM’s ‘Test Pilot’ was based. After the freak accident in which he broke his neck in 1926, he turned his skills to a writing career. He would work on two projects for Fox in 1939, one of wich was ‘Tail Spin’].
  • John Huston signed for a writer’s contract at WB. [Huston’s contribution to the screenplay for ‘Jezebel’ no doubt raised him in the eyes of WB. His involvement with ‘Jaurez’ for 1939; and an uncredited contribution to ‘Wuthering Heights’ put him on course to reach his goal – to direct the films based on his own scripts].
  • Florence Rice’s new contract with MGM, guarantees her time off to go East to catch the Joe Louis/Max Schmeling fight.
  • WB lifts the ban in director Lloyd Bacon’s contract on flying, so he can fly to Florida to do his research in Pensacola before he shoots ‘Wings of the Navy.’

ITEMS OF INTEREST

  • Eight casting directors rate the top supporting actors. The top 8 were Mischa Auer, Beulah Bondi, Walter Connelly, Edward Everett Horton, Jean Hersholt, Donald Meek, Alan Mowbray, Frank Morgan. (With 7 of the 8 votes, none unanimous). Next group (with 6 votes each) – Billie Burke, Leo Carrillo, Andy Devine, Hugh Herbert, Lewis Stone, Charles Winninger. Next (with 5 votes) – Una Merkle, Reginald Owen, Basil Rathbone, Henry Stephenson, Fay Bainter, Alice Brady, Spring Byington, Walter Brennan. Next (with 4 votes) – Edward Arnold, Ralph Bellamy, Humphrey Bogart, Herman Bing, Donald Crisp, Fritz Feld, Glenda Farrell, Bonita Granville, Edna May Oliver, May Robson, C Aubrey Smith, Ned Sparks, Slim Summerville, George Sanders, Akim Tamiroff.
  • Regarding premiers in Hollywood – for “A pictures” six to eight arc lights were the norm. The prize houses were Grauman’s Chinese, the Village in Westwood, and the Paramount in downtown LA, and sometimes the Carthay Circle (seating 1600) on the edge of the Beverly Hills District. Disney’s ‘Snow White,’ garnered historic grosses there on a two-a-day run.  [Now you know why a replica of the Carthay Circle graces the main street in Disney’s California Adventure park].
  • Inside the sound stage of ‘Four Daughters’ at WB, the Lane sisters under the direction of Michael Curtiz arrive via a Pullman car at the station of a small town. The snow – cornflakes; the slush on the ground – cornflakes, gypsum, salt and water. The Pullman car was real, but there was no motive power. It was pulled into the station by a winch, which could only move the rail car 20 feet, but that was all they needed.

The Year Was 1938 – May 17th

Samuel Briskin
  • Sam Briskin, producer, left RKO last November, being recalled to Columbia to an exec prod post. Had been there between 1926-1934. [Briskin was the real talent behind the successes at Columbia in that earlier period. Cohn lost him over a dispute about the stock options in the company. Briskin could have gone anywhere in 1935 – Fox – MGM – Universal – and wound up at RKO. Cohn got him back at Columbia with a seven year contract and stock options. He was immediately involved in the dispute between the directors and the producers].
  • As part of their economy, Paramount announces they are trimming film budgets and film schedules (cutting 8 weeks to 6). No bidding against rival studios for novels or plays. Tightening in all departments. 
  • RKO now has a writing staff with 38 writers working on 22 scripts.
  • Tailors and seamstresses are busier than they have been for several years, because of a flock of historical films upcoming – for Paramount – 6 (includes ‘Zaza’ for 1939); for WB – 6 (includes ‘Juarez’ and ‘Dodge City’ for 1939); 20th Century Fox – 1; Metro – 1 (‘Northwest Passage’ for 1939). [20th Century Fox actually had many more – ‘Jesse James,’ ‘Young Mr. Lincoln,’ ‘Drums Along the Mohawk’; and the MGM title did not make it into release until 1940. MGM did have ‘Gone with the Wind,’ but not at this point in 1938].
  • Jerry Wald, writer at WB, is going to court to untangle the problem of three agencies claiming to represent him. They are – Zeppo Marx Inc, Myron Selznick & Co and Leland Hayward, Inc. [Wald had four screenplays made into films for 1939, including the gangster film ‘The Roaring Twenties’].
  • Deal in the making between David O Selznick and W C Fields. Selznick tried to borrow him from Paramount before, but was unsuccessful. Now that Fields left Paramount, it is possible that Fields will be in their film ‘Heartbreak Town,’ about the trials of Hollywood moppets. [Sounds like they were trying to capitalize on the Jackie Coogan situation. W C Fields ended up at Universal instead]. (See May 9th)
  • Cecil B DeMille settles with the IRS on a tax bill going back to his 1934 earnings.
  • Robert Pirosh and George Seaton called in to collaborate with Irving Brecher on the script for MGM’s ‘A Day at the Circus,’ the next Marx Bros movie. Brecher started it last week. [Pirosh and Seaton had worked together on Marx Bros films before, and ended with no credit on this one, their only film for 1939 was ‘The Wizard of Oz,’ and even that was uncredited; Brecher did get the credit for ‘A Day at the Circus,’ but he also was uncredited for Oz].
  • Gene Autry to draw $10,000 per picture in his new pact. It had been $5000. When he was out due to  his feud with Republic, his side kick Smiley Burnett was assigned to work as Roy Rogers’s sidekick. (Roy was filling in for the missing Autry). [Now what to do about Burnett].
  • Buck Jones sues Republic to restrain the release of their serial ‘The Lone Ranger’ – for imitating those films in which he played a Texas Ranger. On top of that the name of horse was Silver also. [His only film for 1939 had him as a boxer, not a cowboy – ‘Unmarried,’ a remake of a 1932 film – both Paramount].

ON THE MOVE

  • Wesley Ruggles dueling with Paramount on a new contract (to produce and direct) before departing on a European vacation. [He got the contract and did ‘Invitation to Happiness’ for Paramount in 1939].