The Year Was 1938 – June 2nd

Mervyn LeRoy
  • George Ungurian has brought a suit against film producer Mervyn LeRoy, his former employer. (George had been his butler). He is seeking $125,000 for false imprisonment, naming LeRoy and WB studio police chief, Blayney Matthews as those responsible. [Born in Romania, this former butler had been let go, and was finding it hard to obtain employment because he had been branded as a radical. Sneaking onto the WB lot he was stopped from confronting LeRoy and held captive for a time. At the time LeRoy was preparing for a couple of changes. He switches studios from WB to MGM, and leaves behind directing to produce. There he has one film for 1938, then for 1939 – ‘Stand Up and Fight,’ ‘At the Circus’ – and the huge production of ‘The Wizard of Oz’].
  • WB plans a world premiere in Columbia City, Indiana for their new film ‘White Banners.’ The director Edmund Goulding and stars Claude Rains, Fay Bainter, and Jackie Cooper will be in attendance. The town was chosen because it is the home town of the author of the book upon which the film is based – Lloyd Douglas. Douglas, a former minister, first gained fame with his novel, The Magnificent Obsession. [Goulding will go on to direct ‘Dark Victory’ in 1939].
  • Universal has signed Jackie Cooper to a three picture contract. First will be the next Deanna Durbin picture, ’That Certain Age.’ [Cooper would star in subsequent vehicles at Universal, but did not have the same impact as Durbin’s films through 1939].
  • Joan Fontaine and Chester Morris to take the starring roles of RKO’s The Clean-Up. Lew Landers to direct. [The film was released as ‘Smashing the Rackets’, (based on articles about Thomas Dewey cleaning up NYC), and though it did have Chester Morris, he played opposite Frances Mercer instead of Joan Fontaine – the two – Morris and Fontaine were in a previous film together ’Sky Giant,’ so perhaps there was some confusion on the reporter’s part. Fontaine’s talents were most likely tied up in ‘The Duke of West Point’ to finish 1938 and the mighty ‘Gunga Din’ to kick off 1939].
  • A bunch of old timers have been rounded up to appear in a jail sequence for ‘You Can’t Take it with You’ at Columbia. They are: Pert Kelton, from vaudeville and Broadway and sporadic films; Jim Thorpe, the Indian Olympic champ of 25 years ago; Jimmy Morton, of vaudeville fame; Kit Guard, famous for musicals; and Earl Askam, a singer. [Kelton, Guard and Askam do have listings for this film, but Thorpe and Morton have none].
  • For his performance so far in ‘Having Wonderful Time,’ RKO has signed Lee Bowman to a long term contract. [Bowman appeared in three more films for 1938 and eight for 1939, including ‘Love Affair’).
  • At Columbia, Harry Cohn wants to put to rest any rumors that an of his execs will lose their positions with the return of Sam Briskin to the company.  (See May 17th).
  • Ed Sullivan talked with cameraman Bill Daniels, the only one that Greta Garbo would permit to film her. According to Daniels, she has a certain quality that she projects on the screen – “She has the wisdom of a very old lady, and with it a remarkable tolerance. She is completely unlike the impression of her that’s been broadcast. It is her wisdom and tolerance that give her a certain spiritual glow. The camera picks that up.” [Away from the camera lens since 1937, she returns in 1939 in MGM’s ‘Ninotchka.’ With the tagline – “Garbo Laughs.”

ITEM OF INTEREST

  • A filler bit. The fan mail of Anthony Quinn has grown exponentially since his appearence in DeMille’s ‘The Plainsman’ from 1936. [DeMille used him again in 1938 for ‘The Buccaneer,’ and again in 1939’s ‘Union Pacific.’

The Year Was 1938 – May 10th

Joan Crawford
  • 20th Century Fox calls off their 2 million dollar building plan for two reasons: 1) the unsettled state of the foreign markets, and 2) the current tax situation at home. This effects plans for five new sound stages.
  • Republic Pictures plans to start building their own studio on a 48 acre lot next to the old Mack Sennett lot which they are currently leasing. 
  • RKO, in trouble financially since 1933, is looking to reorganize and emerge from their 77B bankruptcy by end of summer.
  • Paramount has over 2000 people currently employed at the studio – a high for the past 12 months. The number of the people in the back lot and in technical positions has increased 50%.
  • Major and minor companies are turning away from screwball comedies in favor of outdoor, big action historical and/or biographical films.
  • Joan Fontaine has been selected for a part in director George Stevens’ big action film “Gunga Din.” Her costars will be Cary Grant and Jack Oakie. Victor McLaglen will also be aboard, the Oscar winner is on loan from Fox. [Stevens had his latest film open on this date – ‘Vivacious Lady’ starring James Stewart and Ginger Rogers – a screwball comedy – so it seems the director is trying to get ahead of the curve for 1939].
  • Ginger Rogers is guaranteed a month long vacation between pictures as part of her new RKO contract. [Could screwball comedy be more tiring than dancing with Fred Astaire]?
  • Stan Laurel is marrying a Russian singer, Ileanna, (Vera Ivanova Shuvalova) for the fourth time since Jan 1. [This may be popping up over and over for they were battling constantly all the way through 1939].
  • Joan Crawford re-upped with MGM, signing a five year contract for 1.5 million dollars. She came to Hollywood in 1925, at the height of the flapper era, and could dance the Charleston. [In her interview with Ed Sullivan at this time Crawford states that her first picture was a western with Tim McCoy, entitled ‘Winners of the Wilderness,’ instead of ‘Pretty Ladies’ from 1925. I’m not sure if her memory was playing her tricks, for ‘Pretty Ladies’ was her first credited role, and the McCoy film was in 1927. Perhaps she remembers the western fondly because it was a co-starring role (with no other ladies sharing the spotlight). Or maybe, being from Texas, she liked playing a cowgirl].
  • To make westerns more realistic the William Hays office is proposing meeting with author Will James (author of Western fiction Smokey) and Harry Carey to work on a possible code.
  • Gene Autry goes back to work at Republic after holding out since December on salary and other contentions (radio and in person appearances – acting for other producers and for his own company). [Things look good for Westerns, if the film execs are sensing the right direction].