The Year Was 1938 – May 17th

Samuel Briskin
  • Sam Briskin, producer, left RKO last November, being recalled to Columbia to an exec prod post. Had been there between 1926-1934. [Briskin was the real talent behind the successes at Columbia in that earlier period. Cohn lost him over a dispute about the stock options in the company. Briskin could have gone anywhere in 1935 – Fox – MGM – Universal – and wound up at RKO. Cohn got him back at Columbia with a seven year contract and stock options. He was immediately involved in the dispute between the directors and the producers].
  • As part of their economy, Paramount announces they are trimming film budgets and film schedules (cutting 8 weeks to 6). No bidding against rival studios for novels or plays. Tightening in all departments. 
  • RKO now has a writing staff with 38 writers working on 22 scripts.
  • Tailors and seamstresses are busier than they have been for several years, because of a flock of historical films upcoming – for Paramount – 6 (includes ‘Zaza’ for 1939); for WB – 6 (includes ‘Juarez’ and ‘Dodge City’ for 1939); 20th Century Fox – 1; Metro – 1 (‘Northwest Passage’ for 1939). [20th Century Fox actually had many more – ‘Jesse James,’ ‘Young Mr. Lincoln,’ ‘Drums Along the Mohawk’; and the MGM title did not make it into release until 1940. MGM did have ‘Gone with the Wind,’ but not at this point in 1938].
  • Jerry Wald, writer at WB, is going to court to untangle the problem of three agencies claiming to represent him. They are – Zeppo Marx Inc, Myron Selznick & Co and Leland Hayward, Inc. [Wald had four screenplays made into films for 1939, including the gangster film ‘The Roaring Twenties’].
  • Deal in the making between David O Selznick and W C Fields. Selznick tried to borrow him from Paramount before, but was unsuccessful. Now that Fields left Paramount, it is possible that Fields will be in their film ‘Heartbreak Town,’ about the trials of Hollywood moppets. [Sounds like they were trying to capitalize on the Jackie Coogan situation. W C Fields ended up at Universal instead]. (See May 9th)
  • Cecil B DeMille settles with the IRS on a tax bill going back to his 1934 earnings.
  • Robert Pirosh and George Seaton called in to collaborate with Irving Brecher on the script for MGM’s ‘A Day at the Circus,’ the next Marx Bros movie. Brecher started it last week. [Pirosh and Seaton had worked together on Marx Bros films before, and ended with no credit on this one, their only film for 1939 was ‘The Wizard of Oz,’ and even that was uncredited; Brecher did get the credit for ‘A Day at the Circus,’ but he also was uncredited for Oz].
  • Gene Autry to draw $10,000 per picture in his new pact. It had been $5000. When he was out due to  his feud with Republic, his side kick Smiley Burnett was assigned to work as Roy Rogers’s sidekick. (Roy was filling in for the missing Autry). [Now what to do about Burnett].
  • Buck Jones sues Republic to restrain the release of their serial ‘The Lone Ranger’ – for imitating those films in which he played a Texas Ranger. On top of that the name of horse was Silver also. [His only film for 1939 had him as a boxer, not a cowboy – ‘Unmarried,’ a remake of a 1932 film – both Paramount].

ON THE MOVE

  • Wesley Ruggles dueling with Paramount on a new contract (to produce and direct) before departing on a European vacation. [He got the contract and did ‘Invitation to Happiness’ for Paramount in 1939].

The Year Was 1938 – May 9th

  • Comedienne Joan Davis was taken to the hospital after a fall when doing a knockabout dance number with Buddy Ebsen in “My Lucky Star” at 20th Century Fox. At the top of the bill was Sonja Henie and Richard Greene. [Don’t worry Joan made it back to complete this film and was around for “Tail Spin “with Alice Faye in 1939].
  • By mutual agreement W. C. Fields and Paramount have called off making “Mr Bumpus Goes to Town.” Fields had been writing the script, but the studio was unhappy over story content. [The film was never made, under that title at least. He and Paramount also parted ways and the comedian ended up at Universal for the 1939 film “You Can’t Cheat an Honest Man”].
  • According to Ed Sullivan – Clark Gable and Carole Lombard claim they will be married by the end of the year. [But first Clark needs to obtain a divorce from his second wife. He and Lombard would marry in 1939].
  • Also according to Ed Sullivan – Harry Cohn of Columbia Pictures was casting about for actors to play in a film based on the play by Clifford Odets. He had acquired Odets’ “The Golden Boy,” a drama about boxing. He wanted Tyrone Power, but he was not available. Instead he decided to look for an unknown to act opposite Jean Arthur. [The unknown would be William Holden in his first starring role. Barbara Stanwyck took the place of Arthur in this 1939 film].
  • Actress Billie Seward, asks in court for a divorce from her husband William R Wilkerson, testifying that he was always sullen and morose and told her that he did not love her. In the two years they were together he was so immersed in his businesses that he was never home. [Two of his enterprises were the trade magazine The Hollywood Reporter and the cafe the Trocadero (see May 7 1938), which he had just sold. I guess she had not heard. She wound up back in front of the camera in Charlie Chan at Treasure Island for 1939].
  • Zanuck writes Frank Capra a letter chastising him for airing their controversies publicly and reiterates the position of the producers – separate negotiations with the three branches within the Directors Guild – directors, assistant directors and unit managers.

The Renton Cinemas Open

The Renton Cinemas Open

As I stated previously, having my father on site was a real boon for his company GCC. He kept an eye on things (like wrestling the safe through the completed lobby and into his office), and headed off potential problems before they happened, or became costly errors.
The cinema was built on the property of a shopping mall area called Renton Village just off Grady Way. The shopping complex wasn’t as big as Brockton, but well attended none the less. Right down the sidewalk from the theater was the Sheraton Renton Inn, a high rise hotel. At the far extremity away from the theater was Schumsky’s restaurant, with which my father horse-traded passes for meals. A Tradewell grocery store and an Ernst hardware were the main anchors.
The big circuit in the Seattle area was the Sterling Recreation Organization, and as such had the film market pretty well sewn up. But GCC beng a national chain wasn’t without some influence. There were a few distributors that were very glad to see a new player in the area. In those days, Seattle had its own”Film Row.” The distributors kept offices down on Second Avenue. In the main we played Columbia, Universal, Buena Vista and MGM, which were headed up respectively by Al Boodman, Russ Brown, Homer Schmidt and Connie Carpou.
That being said, the two opening bills for the Renton Cinemas were not auspicious. On one side was the feature Duffy from Columbia and on the other Secret Ceremony from Universal. I suspect no else in the area wanted to play them. Between the doormen and us ushers the code word for the latter was “Secret Garbage.”
Duffy, which starred James Coburn in the title role, is noteworthy in my estimation only tangentially, through a couple of the people associated with it. One was Donald Cammell, a rather unusual avant garde type who worked on the screenplay and would later co-direct with Nicholas Roeg the Mick Jagger film Performance. He pushed the envelope so far he shot and killed himself some say on purpose. The other was the director Robert Parrish, at probably the extreme opposite end of the spectrum. He was Old Hollywood, having started there as a child actor in the thirties (City Lights and the Our Gang comedies), and graduating to film editor (Body and Soul) and later director.
Not a thing did I know of any of this. Of all I was blissfully ignorant. Such information came as my interest in film grew. For the time being I probably had a feeling akin to Parrish’s old boss at Columbia – Harry Cohn, whose talented butt was his barometer to taste in film – if it wiggled in the seat it was no good.

The Renton Cinemas Open 2