The Year Was 1938 – May 18th

Zanuck’s strategy for 20th Century Fox

• Darryl F Zanuck expounds on the biz – some are saying that negative costs must come down to meet a lesser box office take, but he points out that quality films never are made with short budgets. And that is why they are spending more on their films than ever before. He agrees with exhibitors when they say that double billing is a mistake. Little pictures are a good training ground for up and coming actors. He would rather go with his solution – cast the younger players in big pictures (and cites the example of Tyrone Power in ‘Lloyd’s of London’). He intends to gamble on Alice Faye, Don Ameche, Richard Greene and Arlene Whelan. He goes on to give credit to their writers – touting originals, written in “the technique of pictures.” The future of films counts on writers.
• Twentieth Century Fox cut the vacation allotment for Tyrone Power down to 10 days this summer in order to ease his schedule once ‘Jesse James’ starts shooting.
• Scat singer, Johnnie Davis is the latest added to the cast of ‘Brother Rat,’ being made for WB. Eddie Albert who had the lead in the NY play takes the lead here too. The leading lady is yet to be selected, between Priscilla Lane and Olivia DeHavilland. Camera crews are now at work shooting exteriors in Virginia at VMI, the film’s setting. [The decision was for Priscilla Lane (or did Olivia say no?). Ronald Reagan and Jane Wyman were also added to the cast. Johnnie Davis appeared in four films in 1939, 2 features and 2 shorts].
• Carole Lombard is building a home for her mom in Brentwood.
• Edward Small rests at home under a doctor’s care. [The powerhouse independent producer had ‘The Duke of West Point’ for this year, and two for 1939, one of which was ‘The Man in the Iron Mask’].
• Leon Schlesinger is welcomed by an office party after a long hospital seige. [I can only imagine what that would have been like. Schelsinger was head of the animation unit at WB, so the likes of Tex Avery, Frank Tashlin, Chuck Jones, and voice talent Mel Blanc would have been on hand].
• Gene Autry starts work back at Republic today after nearly a half year absence.
• According to Ed Sullivan, “most wigs for the movies are made from human hair from the Balkan and Scandinavian countries.”

SOME SIDE NOTES

• Howard Hughes planning an around the world flight to promote the 1939 World’s Fair in New York City. He will bear invitations to the European nations.
• According to a reporter taking in the shooting of the latest Sonja Henie film at 20^th Century Fox, she had to be provided with special socks, costing $35 a pair. Even then she puts runs in them when strained by the leaps she does, running through five pairs a day. The makeup department in preparing her for the day, sprays a glue in her hair to keep her tresses from flying every which way.

ON THE MOVE

• Hal B Wallis, associate in charge of production at WB, in NY today for business & pleasure, to look over the current stage plays. [Given his position at the company his name is on linked to 47 film for 1939 – 16 credited (including The Old Maid, in which his wife, Louise Fazenda, played a maid), and 31 uncredited].
• Departing for London from NY on the Normandie – Danielle Darrieux with her husband Henri de Coin, writer-director (though she would like to stay in US, she needed to return to France for her mandatory one film per year, according to French regulations), Brian Aherne, David Niven, Diana Barrymore
• NY to LA – Billy Halop, Fredric March, Luise Rainer.
• Arrivals in LA – Olivia DeHavilland, Mr & Mrs Paul Lukas, Lily Pons, Claudette Colbert, John Hay Whitney.

Advertisement

Dad and the Duke

One of the perks of working in the theater business, besides watching films for free during the run, is to be invited to its premiere before it opens. Oftentimes they are a gala events with celebrities in attendance, be it the mayor or governor etc. But the ones that are really interesting to go to are those with celebrities from the film itself.

One of the more memorable events of this sort, at least for my Father and I, was one that was set for February 1974 at the 7^th Avenue Theater in Seattle. The 7^th Avenue was one of the old movie palaces in town, having opened in 1929. It was originally going to be called the Mayflower with decor to match, but the property was sold to another concern before it was finished and they did it over in Spanish Baroque (however they kept the Mayflower-like ship’s prows on either side of the auditorium that covered the organ pipes).

The event for which we were all gathered was the Northwest Premiere of the John Wayne film McQ.

The year before Duke had spent the summer of 1973 in Seattle (and the Washington coast) shooting exteriors for the film. He was all over the local news. Seattle Mayor Uhlman had declared the second week in that month John Wayne week, and the governor got into the act too by extending that honor throughout the state.

Little tidbits would pop up in the press about him, other cast members and the crew. Such as, during production Wayne was living on his yacht The Wild Goose which he kept at the Seattle Yacht Club and that he had brought his own chef along. Car ads popped up touting vehicles for sale that had been used in the film itself. And a flurry of stories swirled around the date of June 14, 1973. That was the date that his studio Warner Brothers had selected to hold the World Premiere of another Wayne film “Cahill US Marshal.” Also at the 7^th Avenue Theater. We did not make this shindig, but it would have been really interesting if we had. Not only was the cast and crew of McQ on hand, but also those from “Cahill.”

[Aside – in attendance (besides the Duke) were Diana Muldaur, Eddie Albert, Robert Duvall, Clay O’Brien, Michael Wayne, Andrew McLaglen, Marie Windsor, and Jackie Coogan. Members of a third film dropped in too. James Caan and Marsha Mason from Cinderella Liberty were also shooting in Seattle at that time. Their director Mark Rydell came too, and for good reason. He had directed another recent Wayne film “The Cowboys”].

But at this World Premiere for “Cahill” some uninvited guests showed up. The tragic events at Wounded Knee were just two months old, fresh in everyone’s mind. And the American Indian community wanted it to remain there, so they rolled into town to protest this injustice by picketing the film and John Wayne himself, calling him the No 1 Indian killer.

At the time of the McQ premiere I was no longer at the Cinerama, but had switched over to the United Artists Cinemas 150 and 70, moving up to assistant manager. How I ever got a Saturday night off, I do not know, but I was there. I was on the left side section towards the back. My Dad had chosen a seat on the aisle that ran right next to the wall. I don’t recall if there were any other celebrities there that night, I had my eye on one only. And there was no mistaking that six foot four frame and the lumbering gait as John Wayne ambled down that very same aisle. Just before he came abreast of where my Dad was seated, Dad got to his feet and extended his hand to shake his. He was thrilled to have the Duke shake his hand. He had admired his films ever since ushering at the Paramount Theater in Salem, Massachusetts, and saw the likes of The Wake of the Red Witch and The Sands of Iwo Jima.

I asked my Dad about it afterwards. All he said was: “He had one helluva grip!”