Laurence Olivier as Heathcliff from Wuthering Heights
Laurence Olivier turned 31 today. He was hard at work on the stage in England. He had made a couple of films in Hollywood, beginning at RKO in 1931, and again in 1933 for ‘Queen Christina’ opposite Greta Garbo. On that film he was replaced after two weeks when he was judged unsuitable for the role. Now, Sam Goldwyn was about to tempt him away from the stage and England with the promise of $50,000 and the role of Heathcliff in his production of ‘Wuthering Heights.’ One of the big films of 1939.
MGM had the Marx Brothers and 20th Century Fox the Ritz Brothers. Harry Ritz, one third of the Ritz Brothers comedy act, also turned 31 today – just two days after the release of their film ‘Kentucky Moonshine’ from 20th Century Fox. He would be in front of the cameras soon in a Damon Runyon story ‘Straight, Place, and Show.’ The year 1939 would be up and down for them – on a high, comedy relief in the Don Ameche version of ‘The Three Musketeers’ – and a low in ‘The Gorilla’ with Bela Lugosi. [Peter Lorre refused to play the Lugosi part; and the Ritz Brothers objected also but could not refuse to play without facing a law suit].
Also sharing a birthday with these two was Alla Navimova (see May 19th), who was born in Yalta (Crimea, then a part of the Russian Empire). She was just turning 59. The year 1938 found her back in LA after an illness cut short her return to the stage in NY. She took up residence in Villa 24 at The Garden of Allah. Ironically she had owned this former property once called Hayvenhurst. After she acquired it in 1919 with the profits from her successful silent film career, she named it after herself, calling it the Garden of Alla. When hard times came along she built 25 villas on its 2.5 acre plot and ran it as a hotel beginning in 1927. Over the years there were many famous celebrities that called it home – F Scott Fitzgerald, Greta Garbo, Ronald Reagan, Humphrey Bogart, Errol Flynn, Frank Sinatra, Benny Goodman, to name a few.
Today child actor Virginia Weidler was added to the RKO production ‘Mother Carey’s Chickens.’ She was borrowed from MGM where she was at work in ‘Too Hot to Handle.’ She is also currently loaned out to Paramount on ‘Men with Wings.’
United Artists board to meet today to finalize the releasing deal with Hal Roach. Roach can bring his own production money. Dr A H Gianninni, president of UA prepared the way for him. Mary Pickford to attend the meeting also.
Independent exihibitors at a confab in Pittsburgh have asked the government to do an investigation into the picture industry, especially pricing policies and terms of film leasing, all to be included in any anti-trust action that is pending in Washington.
Silent film actress Alla Nazimova has been brought into Paramount to help tutor the Italian actress Isa Miranda. Producer Albert Lewis and director George Cukor brought Nazimova in to help Miranda recreate a role that Nazimova played on the Russian stage 37 years prior. [The film was released in 1938 – but not with Isa Miranda. Claudette Colbert took the role instead. I wonder what happened].
Columnist Sidney Skolsky often wrote about “Watching Them Make Pictures” for this week he details three happenings:
On the MGM backlot, Jack Conway was directing Clark Gable and Walter Pidgeon in a scene for ‘Too Hot to Handle.’ Playing competing newsreelmen Pidgeon was to chase Gable and Gable was to trip and fall face first into a mud puddle especially prepared for him. He fell into the mud perfectly – but Pidgeon blew his line, so they had to do it all over again.
Out on the movie ranch in the Valley, Richard Thorpe was shooting a scene for “Give and Take” with Robert Taylor and Maureen O’Sullivan. A man was plowing in the far background and was whistling. The sound man warned the director that his mic was picking up this whistling. Thorpe said to just keep it as background – but then the sound man broke in again and told him that they would not be able to use it as the man was whistling “Thanks for the Memory,” a Paramount song. [The film was released as ‘The Crowd Roars’].
He checked in at Paramount and entered a sound stage where “The Spawn of the North” was being shot. Business was on hold for the moment, for they were celebrating Henry Fonda’s birthday (May 16th). Fonda was serving out the cake when two Western Union messengers arrived and sang Happy Birthday to Fonda. They had been sent by his former roommates John Swope and James Stewart. Before he knew it Fonda had handed out all the pieces, not having reserved one for himself. One of the visitors surrendered his piece to Hank. Soon, director Henry Hathaway had Fonda, Dorothy Lamour, Louise Platt and George Raft back to work.
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Ed Sullivan in his column extolls a list of names you were never meant to see in the credits. Claire Meyers – Sally Sage – Marjorie Lane – Eadie Adams – Virginia Verrill. The legs of Meyers, or more properly Myers, stood in for closeups of those of Joan Crawford, Virgina Bruce and other ladies in the MGM stable. Sage’s hands stood in for those of Bette Davis in ‘Jezebel.’ [She had uncredited parts in six WB films for 1939]. The last three lent their voices for songs that came from the lips of, respectively, Eleanor Powell for ‘Broadway Melody of 1936,’ ‘Born to Dance,’ ‘Rosalie,’ as well as ‘Broadway Melody of 1938’; for Jean Harlow in ’Suzy’ and ‘Reckless’; and for Andrea Leeds in ‘The Goldwyn Follies.’
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